ian, thank you for spending time with us.
thesalting: please describe the general process that goes into your work.
for commissioned furniture pieces like big tables, desks or sculpture installations, there’s usually some design collaboration with the client. if I don't have the material already for the project, I source it from local mills that I really like.
il: it started with where i get probably 70% of the trees from a friend of mine, Joe in speonk. he has 2 acres filled with trees from arborists that drop off the felled trees taken in the area. joe has been selling firewood out east for decades. I started going there 4 or 5 years ago and he and I would cut a bunch of pieces from various trees. i started collecting all this great wood from them. since it was all being cut with a chainsaw, the sizes all varied, so i would end up with some pieces big enough to make tables from and some small. It didn’t feel right to throw any of this material away and it all inspired me honestly so without realizing it I started making things from everything that I got regardless of the size. this was great because it pushed me to figure out what’s to do with things i had no idea what to do with. so, with that came the smaller items like vessels, sculpture pieces, lighting, planters etc.. not long after starting that process, I made a commitment to use every part of whatever tree I get. this was not just for the 'non waste aspect' but also, so myself, and people can see the endless amount of things that can be made from the one tree. It’s also cool to have a collection with variety based from one singular tree.
ts: tell us about the singular tree concept.
ts: is all of your material and wood sourced locally on long island?
a year ago or so I started sourcing material from lumber + salt on the north fork. they have such a good variety. you never know what your going to find there which is cool. last year I got hired to build a 27 foot sculptural reception desk for a new amazon office in brooklyn and I used a lot of material I found there for the job.
all the carved pieces, which is probably what people buy the most, are from either Joe in speonk or stuff I find on long island myself from other arborists. I also get some great material which I cant get here like black walnut and ash from a guy in NJ that runs a local mill called hoffman millworks.
ts: you mentioned gardening with your daughter led your exploration of working with word? how did that come about? from gardening to creating with wood?
the first things I built were a pergola and some simple planters so i could have more plants around the deck area. they were really simple boxes. the pergola was more complicated but building them was really satisfying and i fell in love with the deign and building aspect of it all.
now a few years later, I can see the connection from starting with the horticulture, landscaping aspect to working with whole trees as a maker. I think falling in love with trees from taking care of them after planting them myself to then using the ones that have been taken down after 100 plus years of living has given me such a deep respect for the complexity and beauty of trees.
ts: how has your business and artistic work path been affected by the pandemic?
ts: what have you learned about yourself these past 2 years?
ts: best advice ever received?
ts: who inspires you?
ts: describe yourself in 3 words.
ts: 3 favorite movies?
ts: first concert?
ts: what do you do in your every day life to erase hate?